arXivDaily arXiv每日学术速递 周一至周五更新
arXiv周末暂无论文更新,休息一下吧,周末愉快~~
arXiv 2003.07723cs.CL
收藏

PO-EMO: Conceptualization, Annotation, and Modeling of Aesthetic Emotions in German and English Poetry

Max Planck Institute for Empirical Aesthetics(马克斯·普朗克经验美学研究所);Technische Universitat Darmstadt(达姆施塔特工业大学);University of Stuttgart(斯图加特大学)

Thomas Haider, Steffen Eger, Evgeny Kim, Roman Klinger, Winfried Menninghaus

英文摘要:

Most approaches to emotion analysis of social media, literature, news, and other domains focus exclusively on basic emotion categories as defined by Ekman or Plutchik. However, art (such as literature) enables engagement in a broader range of more complex and subtle emotions. These have been shown to also include mixed emotional responses. We consider emotions in poetry as they are elicited in the reader, rather than what is expressed in the text or intended by the author. Thus, we conceptualize a set of aesthetic emotions that are predictive of aesthetic appreciation in the reader, and allow the annotation of multiple labels per line to capture mixed emotions within their context. We evaluate this novel setting in an annotation experiment both with carefully trained experts and via crowdsourcing. Our annotation with experts leads to an acceptable agreement of kappa = .70, resulting in a consistent dataset for future large scale analysis. Finally, we conduct first emotion classification experiments based on BERT, showing that identifying aesthetic emotions is challenging in our data, with up to .52 F1-micro on the German subset. Data and resources are available at https://github.com/tnhaider/poetry-emotion

机构、总结、中文摘要均由AI分析而来,可能存在错误,请以论文正文为准。

↑