This paper considers the problem of characterizing stories by inferring properties such as theme and style using written synopses and reviews of movies. We experiment with a multi-label dataset of movie synopses and a tagset representing various attributes of stories (e.g., genre, type of events). Our proposed multi-view model encodes the synopses and reviews using hierarchical attention and shows improvement over methods that only use synopses. Finally, we demonstrate how can we take advantage of such a model to extract a complementary set of story-attributes from reviews without direct supervision. We have made our dataset and source code publicly available at https://ritual.uh.edu/ multiview-tag-2020.
Social tagging of movies reveals a wide range of heterogeneous information about movies, like the genre, plot structure, soundtracks, metadata, visual and emotional experiences. Such information can be valuable in building automatic systems to create tags for movies. Automatic tagging systems can help recommendation engines to improve the retrieval of similar movies as well as help viewers to know what to expect from a movie in advance. In this paper, we set out to the task of collecting a corpus of movie plot synopses and tags. We describe a methodology that enabled us to build a fine-grained…
Folksonomy of movies covers a wide range of heterogeneous information about movies, like the genre, plot structure, visual experiences, soundtracks, metadata, and emotional experiences from watching a movie. Being able to automatically generate or predict tags for movies can help recommendation engines improve retrieval of similar movies, and help viewers know what to expect from a movie in advance. In this work, we explore the problem of creating tags for movies from plot synopses. We propose a novel neural network model that merges information from synopses and emotion flows throughout the p…
Multilingual Synopses of Movie Narratives: A Dataset for Vision-Language Story Understanding
College of Computing and Data Science, Nanyang Technological University（南洋理工大学计算与数据科学学院）；School of Computer Science and Engineering, Nanjing University of Science and Technology（南京理工大学计算机科学与工程学院）
Institute for Language, Cognition and Computation（语言、认知与计算研究所）；University of Edinburgh（爱丁堡大学）
According to screenwriting theory, turning points (e.g., change of plans, major setback, climax) are crucial narrative moments within a screenplay: they define the plot structure, determine its progression and segment the screenplay into thematic units (e.g., setup, complications, aftermath). We propose the task of turning point identification in movies as a means of analyzing their narrative structure. We argue that turning points and the segmentation they provide can facilitate processing long, complex narratives, such as screenplays, for summarization and question answering. We introduce a …
Feature extraction has gained increasing attention in the field of machine learning, as in order to detect patterns, extract information, or predict future observations from big data, the urge of informative features is crucial. The process of extracting features is highly linked to dimensionality reduction as it implies the transformation of the data from a sparse high-dimensional space, to higher level meaningful abstractions. This dissertation employs Neural Networks for distributed paragraph representations, and Latent Dirichlet Allocation to capture higher level features of paragraph vect…
University of Toronto（多伦多大学）；Massachusetts Institute of Technology（麻省理工学院）
Books are a rich source of both fine-grained information, how a character, an object or a scene looks like, as well as high-level semantics, what someone is thinking, feeling and how these states evolve through a story. This paper aims to align books to their movie releases in order to provide rich descriptive explanations for visual content that go semantically far beyond the captions available in current datasets. To align movies and books we exploit a neural sentence embedding that is trained in an unsupervised way from a large corpus of books, as well as a video-text neural embedding for c…
Seoul National University（首尔国立大学）；SK Telecom（SK电讯）
We propose a novel memory network model named Read-Write Memory Network (RWMN) to perform question and answering tasks for large-scale, multimodal movie story understanding. The key focus of our RWMN model is to design the read network and the write network that consist of multiple convolutional layers, which enable memory read and write operations to have high capacity and flexibility. While existing memory-augmented network models treat each memory slot as an independent block, our use of multi-layered CNNs allows the model to read and write sequential memory cells as chunks, which is more r…
Max Planck Institute for Informatics（马克斯·普朗克信息学研究所）；UC Berkeley（加州大学伯克利分校）；ICSI（国际计算机科学研究所）
Generating descriptions for videos has many applications including assisting blind people and human-robot interaction. The recent advances in image captioning as well as the release of large-scale movie description datasets such as MPII Movie Description allow to study this task in more depth. Many of the proposed methods for image captioning rely on pre-trained object classifier CNNs and Long-Short Term Memory recurrent networks (LSTMs) for generating descriptions. While image description focuses on objects, we argue that it is important to distinguish verbs, objects, and places in the challe…
Institute for Language, Cognition and Computation（语言、认知与计算研究所）；School of Informatics, University of Edinburgh（爱丁堡大学信息学院）
Suspense is a crucial ingredient of narrative fiction, engaging readers and making stories compelling. While there is a vast theoretical literature on suspense, it is computationally not well understood. We compare two ways for modelling suspense: surprise, a backward-looking measure of how unexpected the current state is given the story so far; and uncertainty reduction, a forward-looking measure of how unexpected the continuation of the story is. Both can be computed either directly over story representations or over their probability distributions. We propose a hierarchical language model t…
Stories can have tremendous power -- not only useful for entertainment, they can activate our interests and mobilize our actions. The degree to which a story resonates with its audience may be in part reflected in the emotional journey it takes the audience upon. In this paper, we use machine learning methods to construct emotional arcs in movies, calculate families of arcs, and demonstrate the ability for certain arcs to predict audience engagement. The system is applied to Hollywood films and high quality shorts found on the web. We begin by using deep convolutional neural networks for audio…
Université de Montréal（蒙特利尔大学）；Microsoft XiaoIce（微软小冰）；Gaoling School of Artificial Intelligence, Renmin University of China（中国人民大学高瓴人工智能学院）；Beijing Film Academy（北京电影学院）
It is appealing to have a system that generates a story or scripts automatically from a story-line, even though this is still out of our reach. In dialogue systems, it would also be useful to drive dialogues by a dialogue plan. In this paper, we address a key problem involved in these applications -- guiding a dialogue by a narrative. The proposed model ScriptWriter selects the best response among the candidates that fit the context as well as the given narrative. It keeps track of what in the narrative has been said and what is to be said. A narrative plays a different role than the context (…
Karlsruhe Institute of Technology（卡尔斯鲁厄理工学院）；University of Toronto（多伦多大学）；Massachusetts Institute of Technology（麻省理工学院）
We introduce the MovieQA dataset which aims to evaluate automatic story comprehension from both video and text. The dataset consists of 14,944 questions about 408 movies with high semantic diversity. The questions range from simpler "Who" did "What" to "Whom", to "Why" and "How" certain events occurred. Each question comes with a set of five possible answers; a correct one and four deceiving answers provided by human annotators. Our dataset is unique in that it contains multiple sources of information -- video clips, plots, subtitles, scripts, and DVS. We analyze our data through various stati…
Indian Institute of Technology Bombay（印度理工学院孟买分校）；Accenture Labs（埃森哲实验室）
Movies reflect society and also hold power to transform opinions. Social biases and stereotypes present in movies can cause extensive damage due to their reach. These biases are not always found to be the need of storyline but can creep in as the author's bias. Movie production houses would prefer to ascertain that the bias present in a script is the story's demand. Today, when deep learning models can give human-level accuracy in multiple tasks, having an AI solution to identify the biases present in the script at the writing stage can help them avoid the inconvenience of stalled release, law…
University of Gothenburg（哥德堡大学）；Saarland University（萨尔大学）；MPI Informatics（马克斯·普朗克信息学研究所）
Current work on image-based story generation suffers from the fact that the existing image sequence collections do not have coherent plots behind them. We improve visual story generation by producing a new image-grounded dataset, Visual Writing Prompts (VWP). VWP contains almost 2K selected sequences of movie shots, each including 5-10 images. The image sequences are aligned with a total of 12K stories which were collected via crowdsourcing given the image sequences and a set of grounded characters from the corresponding image sequence. Our new image sequence collection and filtering process h…
School of Computer Science and Engineering, Seoul National University（首尔大学计算机科学与工程学院）；Surromind Robotics
Question-answering (QA) on video contents is a significant challenge for achieving human-level intelligence as it involves both vision and language in real-world settings. Here we demonstrate the possibility of an AI agent performing video story QA by learning from a large amount of cartoon videos. We develop a video-story learning model, i.e. Deep Embedded Memory Networks (DEMN), to reconstruct stories from a joint scene-dialogue video stream using a latent embedding space of observed data. The video stories are stored in a long-term memory component. For a given question, an LSTM-based atten…
We propose DuoRC, a novel dataset for Reading Comprehension (RC) that motivates several new challenges for neural approaches in language understanding beyond those offered by existing RC datasets. DuoRC contains 186,089 unique question-answer pairs created from a collection of 7680 pairs of movie plots where each pair in the collection reflects two versions of the same movie - one from Wikipedia and the other from IMDb - written by two different authors. We asked crowdsourced workers to create questions from one version of the plot and a different set of workers to extract or synthesize answer…
