The Detection and Classification of Acoustic Scenes and Events (DCASE) 2019 challenge focuses on audio tagging, sound event detection and spatial localisation. DCASE 2019 consists of five tasks: 1) acoustic scene classification, 2) audio tagging with noisy labels and minimal supervision, 3) sound event localisation and detection, 4) sound event detection in domestic environments, and 5) urban sound tagging. In this paper, we propose generic cross-task baseline systems based on convolutional neural networks (CNNs). The motivation is to investigate the performance of a variety of models across several audio recognition tasks without exploiting the specific characteristics of the tasks. We looked at CNNs with 5, 9, and 13 layers, and found that the optimal architecture is task-dependent. For the systems we considered, we found that the 9-layer CNN with average pooling after convolutional layers is a good model for a majority of the DCASE 2019 tasks.
The Detection and Classification of Acoustic Scenes and Events (DCASE) 2019 challenge focuses on audio tagging, sound event detection and spatial localisation. DCASE 2019 consists of five tasks: 1) acoustic scene classification, 2) audio tagging with noisy labels and minimal supervision, 3) sound event localisation and detection, 4) sound event detection in domestic environments, and 5) urban sound tagging. In this paper, we propose generic cross-task baseline systems based on convolutional neural networks (CNNs). The motivation is to investigate the performance of a variety of models across s…
LS2N(南特数字科学实验室);CNRS(法国国家科学研究中心);Ecole Centrale de Nantes(南特中央理工学院);Queen Mary University of London(伦敦玛丽女王大学)
As part of the 2016 public evaluation challenge on Detection and Classification of Acoustic Scenes and Events (DCASE 2016), the second task focused on evaluating sound event detection systems using synthetic mixtures of office sounds. This task, which follows the `Event Detection - Office Synthetic' task of DCASE 2013, studies the behaviour of tested algorithms when facing controlled levels of audio complexity with respect to background noise and polyphony/density, with the added benefit of a very accurate ground truth. This paper presents the task formulation, evaluation metrics, submitted sy…
Shanghai Normal University(上海师范大学);Unisound AI Technology Co., Ltd.(云知声人工智能科技股份有限公司);ByteDance(字节跳动)
A good joint training framework is very helpful to improve the performances of weakly supervised audio tagging (AT) and acoustic event detection (AED) simultaneously. In this study, we propose three methods to improve the best teacher-student framework in the IEEE AASP Challenge on Detection and Classification of Acoustic Scenes and Events (DCASE) 2019 Task 4 for both audio tagging and acoustic events detection tasks. A frame-level target-events based deep feature distillation is first proposed, which aims to leverage the potential of limited strong-labeled data in weakly supervised framework …
Amazon.com Inc.(亚马逊公司);Toyota Technological Institute at Chicago(芝加哥丰田技术研究院)
This paper proposes a network architecture mainly designed for audio tagging, which can also be used for weakly supervised acoustic event detection (AED). The proposed network consists of a modified DenseNet as the feature extractor, and a global average pooling (GAP) layer to predict frame-level labels at inference time. This architecture is inspired by the work proposed by Zhou et al., a well-known framework using GAP to localize visual objects given image-level labels. While most of the previous works on weakly supervised AED used recurrent layers with attention-based mechanism to localize …
The Detection and Classification of Acoustic Scenes and Events (DCASE) consists of five audio classification and sound event detection tasks: 1) Acoustic scene classification, 2) General-purpose audio tagging of Freesound, 3) Bird audio detection, 4) Weakly-labeled semi-supervised sound event detection and 5) Multi-channel audio classification. In this paper, we create a cross-task baseline system for all five tasks based on a convlutional neural network (CNN): a "CNN Baseline" system. We implemented CNNs with 4 layers and 8 layers originating from AlexNet and VGG from computer vision. We inve…
University of Surrey(萨里大学);Centre for Vision, Speech and Signal Processing(视觉、语音与信号处理中心)
In this technique report, we present a bunch of methods for the task 4 of Detection and Classification of Acoustic Scenes and Events 2017 (DCASE2017) challenge. This task evaluates systems for the large-scale detection of sound events using weakly labeled training data. The data are YouTube video excerpts focusing on transportation and warnings due to their industry applications. There are two tasks, audio tagging and sound event detection from weakly labeled data. Convolutional neural network (CNN) and gated recurrent unit (GRU) based recurrent neural network (RNN) are adopted as our basic fr…
Acoustic scene classification (ASC) is one of the most popular problems in the field of machine listening. The objective of this problem is to classify an audio clip into one of the predefined scenes using only the audio data. This problem has considerably progressed over the years in the different editions of DCASE. It usually has several subtasks that allow to tackle this problem with different approaches. The subtask presented in this report corresponds to a ASC problem that is constrained by the complexity of the model as well as having audio recorded from different devices, known as misma…
Robert Bosch LLC(罗伯特·博世有限责任公司);Carnegie Mellon University(卡内基梅隆大学)
The lack of strong labels has severely limited the state-of-the-art fully supervised audio tagging systems to be scaled to larger dataset. Meanwhile, audio-visual learning models based on unlabeled videos have been successfully applied to audio tagging, but they are inevitably resource hungry and require a long time to train. In this work, we propose a light-weight, multimodal framework for environmental audio tagging. The audio branch of the framework is a convolutional and recurrent neural network (CRNN) based on multiple instance learning (MIL). It is trained with the audio tracks of a larg…
Many state-of-the-art systems for audio tagging and sound event detection employ convolutional recurrent neural architectures. Typically, they are trained in a mean teacher setting to deal with the heterogeneous annotation of the available data. In this work, we present a thorough analysis of how changing the temporal resolution of these convolutional recurrent neural networks - which can be done by simply adapting their pooling operations - impacts their performance. By using a variety of evaluation metrics, we investigate the effects of adapting this design parameter under several sound reco…
Universitat Politecnica de Valencia(瓦伦西亚理工大学);Instituto Tecnologico de Informatica(信息技术技术研究所)
Acoustic scene classification is an automatic listening problem that aims to assign an audio recording to a pre-defined scene based on its audio data. Over the years (and in past editions of the DCASE) this problem has often been solved with techniques known as ensembles (use of several machine learning models to combine their predictions in the inference phase). While these solutions can show performance in terms of accuracy, they can be very expensive in terms of computational capacity, making it impossible to deploy them in IoT devices. Due to the drift in this field of study, this task has…
In this paper, we present a gated convolutional neural network and a temporal attention-based localization method for audio classification, which won the 1st place in the large-scale weakly supervised sound event detection task of Detection and Classification of Acoustic Scenes and Events (DCASE) 2017 challenge. The audio clips in this task, which are extracted from YouTube videos, are manually labeled with one or a few audio tags but without timestamps of the audio events, which is called as weakly labeled data. Two sub-tasks are defined in this challenge including audio tagging and sound eve…
University of Kent(肯特大学);University of Lübeck(吕贝克大学)
In this work, we propose an approach that features deep feature embedding learning and hierarchical classification with triplet loss function for Acoustic Scene Classification (ASC). In the one hand, a deep convolutional neural network is firstly trained to learn a feature embedding from scene audio signals. Via the trained convolutional neural network, the learned embedding embeds an input into the embedding feature space and transforms it into a high-level feature vector for representation. In the other hand, in order to exploit the structure of the scene categories, the original scene class…
Few-shot audio event detection is a task that detects the occurrence time of a novel sound class given a few examples. In this work, we propose a system based on segment-level metric learning for the DCASE 2022 challenge of few-shot bioacoustic event detection (task 5). We make better utilization of the negative data within each sound class to build the loss function, and use transductive inference to gain better adaptation on the evaluation set. For the input feature, we find the per-channel energy normalization concatenated with delta mel-frequency cepstral coefficients to be the most effect…
This report proposes a polyphonic sound event detection (SED) method for the DCASE 2020 Challenge Task 4. The proposed SED method is based on semi-supervised learning to deal with the different combination of training datasets such as weakly labeled dataset, unlabeled dataset, and strongly labeled synthetic dataset. Especially, the target label of each audio clip from weakly labeled or unlabeled dataset is first predicted by using the mean teacher model that is the DCASE 2020 baseline. The data with predicted labels are used for training the proposed SED model, which consists of CNNs with skip…
Brno University of Technology(布尔诺理工大学);IT4I Center of Excellence(IT4I卓越中心)
In this paper, the Brno University of Technology (BUT) team submissions for Task 1 (Acoustic Scene Classification, ASC) of the DCASE-2018 challenge are described. Also, the analysis of different methods on the leaderboard set is provided. The proposed approach is a fusion of two different Convolutional Neural Network (CNN) topologies. The first one is the common two-dimensional CNNs which is mainly used in image classification. The second one is a one-dimensional CNN for extracting fixed-length audio segment embeddings, so called x-vectors, which has also been used in speech processing, especi…
University Of Science And Technology Of China(中国科学技术大学);Singapore Institute of Technology(新加坡理工学院);iFLYTEK Co. Ltd(科大讯飞股份有限公司)
In this paper, we propose an effective sound event detection (SED) method based on the audio spectrogram transformer (AST) model, pretrained on the large-scale AudioSet for audio tagging (AT) task, termed AST-SED. Pretrained AST models have recently shown promise on DCASE2022 challenge task4 where they help mitigate a lack of sufficient real annotated data. However, mainly due to differences between the AT and SED tasks, it is suboptimal to directly utilize outputs from a pretrained AST model. Hence the proposed AST-SED adopts an encoder-decoder architecture to enable effective and efficient f…
We study the merit of transfer learning for two sound recognition problems, i.e., audio tagging and sound event detection. Employing feature fusion, we adapt a baseline system utilizing only spectral acoustic inputs to also make use of pretrained auditory and visual features, extracted from networks built for different tasks and trained with external data. We perform experiments with these modified models on an audiovisual multi-label data set, of which the training partition contains a large number of unlabeled samples and a smaller amount of clips with weak annotations, indicating the clip-l…
This technical report proposes an audio captioning system for DCASE 2021 Task 6 audio captioning challenge. Our proposed model is based on an encoder-decoder architecture with bi-directional Gated Recurrent Units (BiGRU) using pretrained audio features and sound event detection. A pretrained neural network (PANN) is used to extract audio features and Word2Vec is selected with the aim of extracting word embeddings from the audio captions. To create semantically meaningful captions, we extract sound events from the audio clips and feed the encoder-decoder architecture with sound events in additi…
Sound event localisation and detection (SELD) is a problem in the field of automatic listening that aims at the temporal detection and localisation (direction of arrival estimation) of sound events within an audio clip, usually of long duration. Due to the amount of data present in the datasets related to this problem, solutions based on deep learning have positioned themselves at the top of the state of the art. Most solutions are based on 2D representations of the audio (different spectrograms) that are processed by a convolutional-recurrent network. The motivation of this submission is to s…
Centre for Vision, Speech and Signal Processing, University of Surrey(萨里大学视觉、语音与信号处理中心);ByteDance AI Lab(字节跳动人工智能实验室);Qingdao University of Science and Technology(青岛科技大学)
Audio pattern recognition is an important research topic in the machine learning area, and includes several tasks such as audio tagging, acoustic scene classification, music classification, speech emotion classification and sound event detection. Recently, neural networks have been applied to tackle audio pattern recognition problems. However, previous systems are built on specific datasets with limited durations. Recently, in computer vision and natural language processing, systems pretrained on large-scale datasets have generalized well to several tasks. However, there is limited research on…
University of Erlangen-Nuremberg(埃尔朗根-纽伦堡大学);International Audio Laboratories(国际音频实验室)
Previous DCASE challenges contributed to an increase in the performance of acoustic scene classification systems. State-of-the-art classifiers demand significant processing capabilities and memory which is challenging for resource-constrained mobile or IoT edge devices. Thus, it is more likely to deploy these models on more powerful hardware and classify audio recordings previously uploaded (or streamed) from low-power edge devices. In such scenario, the edge device may apply perceptual audio coding to reduce the transmission data rate. This paper explores the effect of perceptual audio coding…
Institute of Computational Perception (CP-JKU)(计算感知研究所(CP-JKU));LIT Artificial Intelligence Lab(LIT人工智能实验室);Johannes Kepler University(约翰内斯·开普勒大学)
Standard machine learning models for tagging and classifying acoustic signals cannot handle classes that were not seen during training. Zero-Shot (ZS) learning overcomes this restriction by predicting classes based on adaptable class descriptions. This study sets out to investigate the effectiveness of self-attention-based audio embedding architectures for ZS learning. To this end, we compare the very recent patchout spectrogram transformer with two classic convolutional architectures. We evaluate these three architectures on three tasks and on three different benchmark datasets: general-purpo…
In this paper, we propose a framework for environmental sound classification in a low-data context (less than 100 labeled examples per class). We show that using pre-trained image classification models along with the usage of data augmentation techniques results in higher performance over alternative approaches. We applied this system to the task of Urban Sound Tagging, part of the DCASE 2019. The objective was to label different sources of noise from raw audio data. A modified form of MobileNetV2, a convolutional neural network (CNN) model was trained to classify both coarse and fine tags joi…
University of Science and Technology of China(中国科学技术大学);iFlytek(科大讯飞);Georgia Institute of Technology(佐治亚理工学院)
In this paper, we propose a novel four-stage data augmentation approach to ResNet-Conformer based acoustic modeling for sound event localization and detection (SELD). First, we explore two spatial augmentation techniques, namely audio channel swapping (ACS) and multi-channel simulation (MCS), to deal with data sparsity in SELD. ACS and MDS focus on augmenting the limited training data with expanding direction of arrival (DOA) representations such that the acoustic models trained with the augmented data are robust to localization variations of acoustic sources. Next, time-domain mixing (TDM) an…
Indian Institute of Technology Roorkee(印度理工学院鲁尔基分校);Inception Institute of Artificial Intelligence(因塞普申人工智能研究院)
In this paper, we present a novel deep fusion architecture for audio classification tasks. The multi-channel model presented is formed using deep convolution layers where different acoustic features are passed through each channel. To enable dissemination of information across the channels, we introduce attention feature maps that aid in the alignment of frames. The output of each channel is merged using interaction parameters that non-linearly aggregate the representative features. Finally, we evaluate the performance of the proposed architecture on three benchmark datasets:- DCASE-2016 and L…
The current methodology in tackling Acoustic Scene Classification (ASC) task can be described in two steps, preprocessing of the audio waveform into log-mel spectrogram and then using it as the input representation for Convolutional Neural Network (CNN). This paradigm shift occurs after DCASE 2016 where this framework model achieves the state-of-the-art result in ASC tasks on the (ESC-50) dataset and achieved an accuracy of 64.5%, which constitute to 20.5% improvement over the baseline model, and DCASE 2016 dataset with an accuracy of 90.0% (development) and 86.2% (evaluation), which constitut…
Sound event detection (SED) entails two subtasks: recognizing what types of sound events are present in an audio stream (audio tagging), and pinpointing their onset and offset times (localization). In the popular multiple instance learning (MIL) framework for SED with weak labeling, an important component is the pooling function. This paper compares five types of pooling functions both theoretically and experimentally, with special focus on their performance of localization. Although the attention pooling function is currently receiving the most attention, we find the linear softmax pooling fu…
University of Surrey(萨里大学);Queen Mary University of London(伦敦玛丽女王大学)
Environmental audio tagging aims to predict only the presence or absence of certain acoustic events in the interested acoustic scene. In this paper we make contributions to audio tagging in two parts, respectively, acoustic modeling and feature learning. We propose to use a shrinking deep neural network (DNN) framework incorporating unsupervised feature learning to handle the multi-label classification task. For the acoustic modeling, a large set of contextual frames of the chunk are fed into the DNN to perform a multi-label classification for the expected tags, considering that only chunk (or…
Environmental audio tagging is a newly proposed task to predict the presence or absence of a specific audio event in a chunk. Deep neural network (DNN) based methods have been successfully adopted for predicting the audio tags in the domestic audio scene. In this paper, we propose to use a convolutional neural network (CNN) to extract robust features from mel-filter banks (MFBs), spectrograms or even raw waveforms for audio tagging. Gated recurrent unit (GRU) based recurrent neural networks (RNNs) are then cascaded to model the long-term temporal structure of the audio signal. To complement th…
Qualcomm AI Research(高通人工智能研究院);Qualcomm Technologies, Inc.(高通技术公司)
This technical report describes the details of our TASK1A submission of the DCASE2021 challenge. The goal of the task is to design an audio scene classification system for device-imbalanced datasets under the constraints of model complexity. This report introduces four methods to achieve the goal. First, we propose Residual Normalization, a novel feature normalization method that uses instance normalization with a shortcut path to discard unnecessary device-specific information without losing useful information for classification. Second, we design an efficient architecture, BC-ResNet-Mod, a m…
Robert Bosch LLC(罗伯特·博世有限责任公司);University of Southern California(南加州大学);Carnegie Mellon University(卡内基梅隆大学)
State-of-the-art audio event detection (AED) systems rely on supervised learning using strongly labeled data. However, this dependence severely limits scalability to large-scale datasets where fine resolution annotations are too expensive to obtain. In this paper, we propose a small-footprint multiple instance learning (MIL) framework for multi-class AED using weakly annotated labels. The proposed MIL framework uses audio embeddings extracted from a pre-trained convolutional neural network as input features. We show that by using audio embeddings the MIL framework can be implemented using a si…
In this paper, we study the performance of variants of well-known Convolutional Neural Network (CNN) architectures on different audio tasks. We show that tuning the Receptive Field (RF) of CNNs is crucial to their generalization. An insufficient RF limits the CNN's ability to fit the training data. In contrast, CNNs with an excessive RF tend to over-fit the training data and fail to generalize to unseen testing data. As state-of-the-art CNN architectures-in computer vision and other domains-tend to go deeper in terms of number of layers, their RF size increases and therefore they degrade in pe…
Language-based audio retrieval is a task, where natural language textual captions are used as queries to retrieve audio signals from a dataset. It has been first introduced into DCASE 2022 Challenge as Subtask 6B of task 6, which aims at developing computational systems to model relationships between audio signals and free-form textual descriptions. Compared with audio captioning (Subtask 6A), which is about generating audio captions for audio signals, language-based audio retrieval (Subtask 6B) focuses on ranking audio signals according to their relevance to natural language textual captions.…
This report presents our audio event detection system submitted for Task 2, "Detection of rare sound events", of DCASE 2017 challenge. The proposed system is based on convolutional neural networks (CNNs) and deep neural networks (DNNs) coupled with novel weighted and multi-task loss functions and state-of-the-art phase-aware signal enhancement. The loss functions are tailored for audio event detection in audio streams. The weighted loss is designed to tackle the common issue of imbalanced data in background/foreground classification while the multi-task loss enables the networks to simultaneou…
MAT-SED: A Masked Audio Transformer with Masked-Reconstruction Based Pre-training for Sound Event Detection
National Engineering Research Center of Speech and Language Information Processing, University of Science and Technology of China(中国科学技术大学国家语音语言信息处理工程研究中心);ICT Cluster, Singapore Institute of Technology(新加坡理工学院ICT集群);The Australian National University(澳大利亚国立大学)
From Large-scale Audio Tagging to Real-Time Explainable Emergency Vehicle Sirens Detection
Department of Information Engineering, Computer Science and Mathematics (DISIM), University of L’Aquila(信息工程、计算机科学与数学系(DISIM),拉奎拉大学);National Inter-University Consortium for Telecommunications (CNIT), University of L’Aquila(电信国家大学间联合体(CNIT),拉奎拉大学)
Acoustic scene classification and related tasks have been dominated by Convolutional Neural Networks (CNNs). Top-performing CNNs use mainly audio spectograms as input and borrow their architectural design primarily from computer vision. A recent study has shown that restricting the receptive field (RF) of CNNs in appropriate ways is crucial for their performance, robustness and generalization in audio tasks. One side effect of restricting the RF of CNNs is that more frequency information is lost. In this paper, we perform a systematic investigation of different RF configuration for various CNN…
New York University(纽约大学);Cornell Lab of Ornithology(康奈尔鸟类学实验室);Adobe Research(奥多比研究院)
We present SONYC-UST-V2, a dataset for urban sound tagging with spatiotemporal information. This dataset is aimed for the development and evaluation of machine listening systems for real-world urban noise monitoring. While datasets of urban recordings are available, this dataset provides the opportunity to investigate how spatiotemporal metadata can aid in the prediction of urban sound tags. SONYC-UST-V2 consists of 18510 audio recordings from the "Sounds of New York City" (SONYC) acoustic sensor network, including the timestamp of audio acquisition and location of the sensor. The dataset cont…
In this report, we presents low-complexity deep learning frameworks for acoustic scene classification (ASC). The proposed frameworks can be separated into four main steps: Front-end spectrogram extraction, online data augmentation, back-end classification, and late fusion of predicted probabilities. In particular, we initially transform audio recordings into Mel, Gammatone, and CQT spectrograms. Next, data augmentation methods of Random Cropping, Specaugment, and Mixup are then applied to generate augmented spectrograms before being fed into deep learning based classifiers. Finally, to achieve…
This paper presents the details of the Audio-Visual Scene Classification task in the DCASE 2021 Challenge (Task 1 Subtask B). The task is concerned with classification using audio and video modalities, using a dataset of synchronized recordings. This task has attracted 43 submissions from 13 different teams around the world. Among all submissions, more than half of the submitted systems have better performance than the baseline. The common techniques among the top systems are the usage of large pretrained models such as ResNet or EfficientNet which are trained for the task-specific problem. Fi…
Institute of Computational Perception, Johannes Kepler University Linz(林茨约翰内斯·开普勒大学计算感知研究所);LIT AI Lab(LIT人工智能实验室)
Convolutional Neural Networks (CNNs) have been dominating classification tasks in various domains, such as machine vision, machine listening, and natural language processing. In machine listening, while generally exhibiting very good generalization capabilities, CNNs are sensitive to the specific audio recording device used, which has been recognized as a substantial problem in the acoustic scene classification (DCASE) community. In this study, we investigate the relationship between over-parameterization of acoustic scene classification models, and their resulting generalization abilities. Sp…
Distribution mismatches between the data seen at training and at application time remain a major challenge in all application areas of machine learning. We study this problem in the context of machine listening (Task 1b of the DCASE 2019 Challenge). We propose a novel approach to learn domain-invariant classifiers in an end-to-end fashion by enforcing equal hidden layer representations for domain-parallel samples, i.e. time-aligned recordings from different recording devices. No classification labels are needed for our domain adaptation (DA) method, which makes the data collection process chea…
1 Integrated Graduate School of Medicine, Engineering;Agricultural Sciences, University of Yamanashi, Japan
This paper describes that semi-supervised learning called peer collaborative learning (PCL) can be applied to the polyphonic sound event detection (PSED) task, which is one of the tasks in the Detection and Classification of Acoustic Scenes and Events (DCASE) challenge. Many deep learning models have been studied to find out what kind of sound events occur where and for how long in a given audio clip. The characteristic of PCL used in this paper is the combination of ensemble-based knowledge distillation into sub-networks and student-teacher model-based knowledge distillation, which can train …
Convolutional Neural Networks (CNNs) can learn effective features, though have been shown to suffer from a performance drop when the distribution of the data changes from training to test data. In this paper we analyze the internal representations of CNNs and observe that the representations of unseen data in each class, spread more (with higher variance) in the embedding space of the CNN compared to representations of the training data. More importantly, this difference is more extreme if the unseen data comes from a shifted distribution. Based on this observation, we objectively evaluate the…
National University of Defense Technology(国防科技大学);University of Surrey(萨里大学)
Audio tagging has attracted increasing attention since last decade and has various potential applications in many fields. The objective of audio tagging is to predict the labels of an audio clip. Recently deep learning methods have been applied to audio tagging and have achieved state-of-the-art performance, which provides a poor generalization ability on new data. However due to the limited size of audio tagging data such as DCASE data, the trained models tend to result in overfitting of the network. Previous data augmentation methods such as pitch shifting, time stretching and adding backgro…
This report describes our submissions to Task2 and Task3 of the DCASE 2016 challenge. The systems aim at dealing with the detection of overlapping audio events in continuous streams, where the detectors are based on random decision forests. The proposed forests are jointly trained for classification and regression simultaneously. Initially, the training is classification-oriented to encourage the trees to select discriminative features from overlapping mixtures to separate positive audio segments from the negative ones. The regression phase is then carried out to let the positive audio segment…
This paper describes CRNNs we used to participate in Task 5 of the DCASE 2020 challenge. This task focuses on hierarchical multilabel urban sound tagging with spatiotemporal context. The code is available on our GitHub repository at https://github.com/multitel-ai/urban-sound-tagging.
Performance Improvement of Language-Queried Audio Source Separation Based on Caption Augmentation From Large Language Models for DCASE Challenge 2024 Task 9
Gwangju Institute of Science and Technology(光州科学技术院);Aunion AI, Co. Ltd.(Aunion AI有限公司)
Institute for Signal Processing, University of Luebeck(吕贝克大学信号处理研究所);Graduate School for Computing in Medicine and Life Sciences, University of Luebeck(吕贝克大学医学与生命科学计算研究生院)
We trained a deep all-convolutional neural network with masked global pooling to perform single-label classification for acoustic scene classification and multi-label classification for domestic audio tagging in the DCASE-2016 contest. Our network achieved an average accuracy of 84.5% on the four-fold cross-validation for acoustic scene recognition, compared to the provided baseline of 72.5%, and an average equal error rate of 0.17 for domestic audio tagging, compared to the baseline of 0.21. The network therefore improves the baselines by a relative amount of 17% and 19%, respectively. The ne…
In this paper, we present deep learning frameworks for audio-visual scene classification (SC) and indicate how individual visual and audio features as well as their combination affect SC performance. Our extensive experiments, which are conducted on DCASE (IEEE AASP Challenge on Detection and Classification of Acoustic Scenes and Events) Task 1B development dataset, achieve the best classification accuracy of 82.2%, 91.1%, and 93.9% with audio input only, visual input only, and both audio-visual input, respectively. The highest classification accuracy of 93.9%, obtained from an ensemble of aud…