爱因斯坦与20世纪初的前卫艺术：联系点？
Einstein and early 20th Century avant-garde art: points of contact?
摘要：
艺术史将一些20世纪早期的前卫视觉艺术运动与当代数学和理论物理学的思想体系联系起来。其中一个被提出的联系可能存在于立体主义和相对论之间，或者更准确地说，存在于毕加索和爱因斯坦之间。所建议的联系是在空间、时间和连续性方面的相似性（弱版本）或同一性（强版本）。然而，爱因斯坦与前卫艺术运动之间的联系可能更多地是历史学家和评论家想象的产物，而不是画家和科学家之间联系的结果。一方面，爱因斯坦对视觉艺术（就我们现在而言，这与音乐形成了鲜明对比）不感兴趣，而且，他似乎没有足够的倾向或知识来欣赏高级形式。另一方面，爱因斯坦的理论超出了艺术家的知识范围，更不用说他们的理解了，尽管有确凿的线索表明，这些理论在新闻界和文学界的反响可能激发了一些艺术家的想象力。
英文摘要：
Art history linked some early 20th Century avant-garde visual art movements to contemporary systems of ideas in mathematics and theoretical physics. One of the proposed connections is the one that might have existed between Cubism and Relativity, or more precisely, between Picasso and Einstein. The suggested links are similarity (in a weak version) or identity (in a strong version) in matters of space, time and simultaneity. It is possible, however, that these supposed links of Einstein and avant-garde art movements were more the product of the imagination of historians and critics, than the result of connections between painters and scientists. On the one hand, the visual arts (in contrast to music, as far as we now) were of no interest to Einstein, who, moreover, did not seem inclined or knowledgeable enough to appreciate advanced forms. On the other hand, Einstein's theories fell outside the artists' ken, let alone their understanding, although there are firm clues pointing to the fact that repercussions of those theories in the press and in literary circles could have fired the imagination of some artists.
机构、总结、中文摘要均由AI分析而来，可能存在错误，请以论文正文为准。
